Adox CHS 100 Art @ 200 in Diafine
Interesting. A bit grainier than I would have thought, but interesting nonetheless. Right now I’m shooting Adox 50 @ 125 with the intent to develop it in Diafine. More to come.
Archive for the ‘B&W Technique’ Category
Out of season
Catching up on developing. I think every film photographer has a box of exposed but undeveloped film sitting on a shelf somewhere. Mine is now two rolls lighter.
Oh, so that’s what they mean
Nature’s histogram? A couple of weeks a ago I bought a copy of ColorNeg. Colin has written extensively about using ColorNeg with VueScan’s raw scans, so I thought I’d give it a shot. The trial version of the plugin is pretty much worthless as it obscures the results with a heavy grid of noise, but [...]
Around the Web: Feb, 2008 Edition
Hexar RF, ZM Biogon 35, Delta 400, Xtol 1+1 (straight Xtol seems to give more shadow detail) A funny Pentax commercial. Everything you need to know about scanning B&W: this saves me from having to write up my own notes on B&W scanning. Apparently the ‘G’ in G9 stands for gateway drug. A neat photo. [...]
HP5: Pushed, Pulled and Straight
Hexar RF, ZM Biogon 35, HP5@800, Ilfosol S 1+14 Hexar RF, ZM Biogon 35, HP5@200, Tmax Dev 1+9 Hexar RF, ZM Biogon 35, HP5@400, Ilfosol S 1+14 HP5 is plastic in the best sense of that word. If the digital camera manufacturers release some rogue virus that destroys every emulsion except for HP5, I could [...]